When Bruce Springsteen finally broke through to national recognition in the fall of 1975 after a decade of trying, critics hailed him as the savior of rock & roll, the single artist who brought together all the exuberance of '50s rock and the thoughtfulness of '60s rock, molded into a '70s style. He rocked as hard as Jerry Lee Lewis, his lyrics were as complicated as Bob Dylan's, and his concerts were near-religious celebrations of all that was best in music. One critic became so enamored that he quit reviewing to become Springsteen's manager.
But the hosannas, when piped through the publicity machine of a major record company, were perceived as hype by a significant part of the public as well as the mainstream media -- Springsteen landed on the covers of Time and Newsweek, but both magazines were covering the phenomenon, not the music
Check This Out
